Īdaylife is the Berlin-based foundry of Hee Jun Kim. Plus esop (Morris Design, 2000), GaramB-HM (Human Computers, 1996), JasuB-HM (Human Computers, 1996), and Nuggim (Qnix, 1995). Korean truetype font archive including these fonts by HanYang Systems: HYSooN-MyeongJo, HYBackSong-Bold, HYMokPan-Bold, HYPillGi-Light, HYPosT-Light, H2cysM, HYBuDle-Medium, HYLongSamul-Medium, HYSeNse-Light, HYTaJa-Bold, HYYeatGul-Medium, HYYeaSo-Medium (1995). This savings in space by reusing pierces of font outlines is useful for high quality (scalable) fonts on mobile devices and digital TVs. And unlike other compact font formats, such as stroke or stick fonts, the quality of Ascender Compact Asian Fonts is such that no embedded bitmaps are necessary for typical screen sizes. By using component outlines, versus entire character outlines, ACAF offers significant benefits over standard TrueType or OpenType font formats. Their blurb at the launch in 2006: ACAF uses proprietary techniques to render the complex ideographs found in Simplified Chinese, Traditional Chinese, Japanese and Korean (CJK) scripts. ĪCAF stands for Ascender Compact Asian Fonts. Interesting archive with MSMincho, MSGothic, Wadalab Gothic, dfpop9, hgrgep, hgrskp, hgrsmp, all Japanese fonts in truetype. Seoul, Korea-based designer of the custom sci-fi typeface OXS (2014: for Latin). TYPE DESIGN INFORMATION PAGE last updated on
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